A: Pricing depends on a variety of factors, including:

•Scope of project

•Time invested

•Crew & gear required

•Final deliverables

I pride myself on my ability to get the most out of every dollar spent, no matter the budget.

A: This completely depends on who you are and what your vision is.

Not every project will be the right fit, and that's okay. I'm drawn to work that is meaningful, original, or a bit unconventional. If you have a project that you're genuinely excited about, there's a good chance I will be too.

If you require a blend of technical expertise and grounded human-driven storytelling, we should talk.

The best way to determine whether a collaboration would be a good fit is to schedule a consultation. Contact me with the details of your idea.

A: While I wish it were this simple, the internet is unpredictable.

I've been behind the camera for some genuinely viral moments. Some of the footage I've shot & edited has been viewed by millions of people worldwide.

So I have a good sense of what tends to work: strong hooks, tight editing, and content that feels authentic rather than manufactured.

However, there have also been times when I dedicated time, energy, and resources to projects that didn't get the recognition they deserved.

There are no guarantees when it comes to posting online.

Additionally, some projects may not be intended to go mega-viral, but are meant to have a high impact on a smaller audience.

What I can do is offer insight from years of working within the social media ecosystem, as well as provide quality direction, lighting, audio, and video to achieve your project's goals.

A: Every project is different. Some involve months of planning and coordinating, while others only require showing up on the day.

It all starts with a conversation.

Before committing to any project, a consultation will be scheduled to determine if the collaboration is a good fit.

During that consultation, we'll go over your vision and determine what it would take to bring it to life. This includes ironing out details such as:

•What are we trying to create?

• Does the client want an edited video or just raw footage?

•Who is the audience for this content?

•What are we hoping to accomplish?

•What would the timeline for production look like?

•What resources are necessary to execute this project? (Such as gear, crew, locations, permits)

•What budget is required to make it happen?

•What budget do we actually have available?

If we decide to move forward with development, we will enter pre-production.

Depending on the scope of the project, this can range from simple to extremely involved. Some projects only require basic planning, while others demand in-depth preparation. Together, we will determine what needs to be done in advance of shooting and delegate those responsibilities.

Pre-production can include:

• Scheduling

• Plotting out shot-lists

• Scripting and storyboarding

• Coordinating with talent, crew, and locations

• Creating call sheets

• Securing all necessary equipment (cameras, lights, audio, etc.)

• Budgeting

• Legal paperwork (such as signing agreements, obtaining permits, or drafting release forms)

• ...and more.

On the day of shooting, we will work together to bring your idea to life. The time involved and setup requirements vary drastically from one project to the next. Some shoots are minimalist run-and-gun, while others are more involved.

Here are some standard responsibilities involved in most shoots:

• Lighting setup and adjustment

• Audio recording and monitoring

• Camera operation

• B-roll Capture

• Directing Talent

• Managing crew

• Continuity Awareness

• Drone Operation

• Timekeeping and staying on schedule

Over the course of my career, I have worked on everything from independent solo shoots to major productions with a full crew.

After we've captured our footage, we enter post-production. This is where all the pieces come together. I really enjoy the process of transforming raw footage into a final product, and usually prefer to edit the footage I've shot myself. That said, I do occasionally work with outside editors, and that can be rewarding as well.

Post-production often involves:

• Video editing and assembly

• Audio mixing and sound design

• Music selection and licensing

• Color correction and grading

• Promotional strategizing

• Motion graphics and titles

• Subtitles and captions

• Formatting and exporting for different platforms

• Revisions based on the client's feedback

A: We live in a fast-moving world, and nobody should be stuck waiting for their content indefinitely.

I make a point of establishing a specific timeline upfront with every client, based on the particular details of their project.

• The amount of post-production work required is what determines the timeline.
• Projects requiring raw footage or minimal editing are usually delivered within 5 days.
• Simple edits are often completed within 1-2 weeks.
• Complex projects with extensive editing are scoped individually during the initial consultation.
• Variables, including on-screen graphics, VFX, and large amounts of raw footage can also add to the editing time.
• Timelines may be impacted by availability.
• Expedited turnaround time (under 24 hours) may be available for an extra fee on a case-by-case basis for those with urgent deadlines or time-sensitive material.

A: In my experience, most clients don't care about the technical specs of equipment. But occasionally there's a nerd who does.

So, if you are that nerd, here's my gear list:

•Primary camera is a Sony a7siii.

•Secondary camera is a Sony fx-30.

•Sony a7sii as my third camera, when needed.

•DJI Mini 3 drone for aerial shots

•Nanlite 300b primary light

•Neewer RGB480 panel lights

•Zoom h4 and Zoom h6 audio recorders

•RODE wireless go ii lav mics

•Additional microphones, cables, tripods, etc.

If your project requires gear or equipment not included here, it may be rented or purchased as needed.